Alpha Omega News

Music from the Alpha to the Omega

Regie Hamm

Regie Hamm

Set It On Fire

Tate Music Group

Grade – B+

It is a special gift to be able to write meaningful songs that hook the listener, drawing them into the story and turning it around into their own application.  And like many other gifts, our human nature can tend to abuse such gifts or take them for granted.  The story of Regie Hamm plays out similarly.

At the top of his game, Hamm co-wrote a number one hit titled “I Surrender All” (Clay Crosse).  Surrendering anything was out of the question at the time, writing contemporary Christian songs came natural for Hamm and the hits were just a means to an end.  His ultimate goal was “stardom.”  Hamm’s drive for success was his idol and seemingly nothing could get in his way.  At least that is what Hamm thought. Until a beautiful little “rag doll” changed everything.

Hamm tells his story in a self-penned biography called “Angels & Idols” (Tate Publishing).  I am totally engrossed in the book right now and when I am not reading it I am thinking about it.  “Angels & Idols” gives you a first-hand look inside the very dark – usually secret – places within the music industry.  Hamm writes very honestly about the ins and outs of pursuing his solo career and his doubts about managing his marriage and a career at the same time.  As he was preparing to tank the marriage in his personal pursuits, his life was changed by an adoption that he never thought would come through.

Much of the book talks about how the adoption and the health challenges of their little girl Isabella changed Hamm’s perspective on stardom and on being a family man.  (Spoiler) I was overjoyed to read how the career immediately took a back seat to his new daughter.  From the point of adoption, Hamm shifted his focus from himself to providing for his family.  Yet still he was not able to surrender all to God, it took more time and personal anguish to come around to full submission as he so classically penned in that fateful song not so long ago.

The new album, “Set It On Fire,” is a reflection of this journey and while it stands alone on, it really fits best as a compliment to the book.  Between the book and the CD you get the whole story from the heart of the writer.  The title track sings of freedom – freedom from our idols and daemons that manipulate our lives and bring not glory but separation from God.  This song embodies the overall essence of the book and CD.

Other notable songs include “Full Circle” which has a real commercial sound that would be fitting for a movie soundtrack – not a bad idea when you consider Hamm produced the soundtrack for the “Left Behind.”

The song “Leaning Tower” was written after Hamm came to grips with the disability that affected his little Isabella.  Instead of worrying about what could have been or what will not be because of her condition, he learned that he loved her no matter what and that he could go on doing so without having to compare her to other children her age.

“If that tower wasn’t leaning in Pisa, It’d be just one more stack of fine, cut up stones… I say leave something beautiful alone.”

“The Water Is Free” reminds me of a Keith Green tune with it’s classic piano-driven sound and bible story like lyrics.  The song is accented by the background vocals of Lisa Bevil.  It’s a funky track with a cool grove and a strong message.

The CD closes on two more sentimental tracks called “Orphan’s Lullaby,” and “Time of My Life.”  The second was a song that Hamm penned as an American Idol finale song and as the first single on David Cook’s debut.  Hamm has gone “Full Circle” and the testing of his faith is a lesson many could benefit from.  In a small way it comes down to perspective, what Hamm thought was his crowning glory (his career) was as far from the truth as it could be.  Overall it is an inspiring story relevant to our idol worshiping, success driven culture.

More information on the book “Angels and Idols” and the CD “Set It On Fire” can be found on Hamm’s official website at http://www.regiehamm.com/.

-       Ken W.

Newsboys – Born Again

Newsboys

Newsboys

Born Again

Inpop

Grade – B+

Rebuilt and reborn, the Newsboys’ franchise goes on in name and function with Michael Tait at the helm.  The sound is new, however, honestly, I am hearing more Tait like influences – aka DC Talk – than anything.  It may just be my perspective, but it sure sounds that way to me.

“When the Boys Light Up” is a good example of how the two influences have merged together.  It’s a hip-hop infused pop anthem that displays the best elements of DC Talk and the Newsboys past history.  And when you hear the background vocals in “Born Again” it is nearly impossible to not think of Kevin Max’s familiar soulful tones. Then you have “One Shot,” which could easily be tagged with a variety of TobyMac tunes.

None-the-less, the new formation takes on its own identity and a new chapter begins. The new arrangement appears to have sparked new creativity in song writing and music with a good dose of pumped up choruses and a lively soundtrack. The album is original enough that even when the familiarity of Tait and DC Talk wears off the excitement for the “new” Newsboys will continue to gather steam, propelling the franchise into an ever-present position in the world of Christ-centered entertainment.

-       Ken W.

By the way, I would be remiss if I did not banter about the cover of “Jesus Freak.”  I found it quite interesting that they left this mostly intact from the original aside from featuring KJ-52 in lieu of T-Mac.  What it does tell me is that I can look forward to a good measure of Tait’s former material in concert – hopefully.

http://www.newsboys.com

Audrey Assad – “The House You’re Building”

Audrey Assad

Audrey Assad

“The House You’re Building”

Sparrow Records

Grade – B

Audrey Assad is a welcomed new voice on the contemporary scene with her distinct style of worship and piano-driven pop.  Assad declares that her music is primarily vertical worship and less corporate.  Sonically, I hear similarities between Assad and Christy Nockles (Watermark).

There are a lot of collaborations on the CD and it is easy to see from her bio that many in the industry were behind her before she ever got signed to a label.  While many of the songs were written with others, Assad’s background interest in literature is evident when it comes to the inspiration behind a few of the tracks.  For instance, “Restless” is said to have been inspired by Augustine’s confessions.  Not light reading. “Restless” is a heartfelt ballad type song.

The key elements of the debut are Assad’s keen vocals and the romantically melodic worship and meaningful lyrics.   “The House You’re Building” is truly an inspiring and edifying new release and an excellent introduction to a fresh worship artist.

http://www.myspace.com/audreyassad

- Ken W.

Since October – Life, Scars, & Apologies

Since October

Since October

Life, Scars, & Apologies

Tooth & Nail

Grade – B

“Life, Scars & Apologies” is the sophomore release from T&N’s rock outfit called Since October.  The new album focuses on the rock elements and leaves out the traces of screamo found on their label debut.  It also has a few moments of “tender” rock where the emotion of the message is best delivered, for example check out “Mend All the Pieces.”  My favorites are the edgier “Life of Mine” and “The Way You Move.”

In many ways, Since October reminds me of the band Day of Fire, a self-professed band of Christians in a more mainstream, secular band, driven to deliver a positive message in clubs and arenas usually reserved for less than positive messages.

If you’re a hard-rock fan, there is much to get your attention on “Life, Scars, & Apologies.”  The band has also constructed an anthem like song called “The Show,” that has been adopted as a theme song for “WrestleMania” which should get them some decent exposure.  Since October has also earned some mainstream credibility landing them some opening spots with widely popular bands like Saliva (as you can see on their Myspace page).

Check their MySpace page for audio, behind the scenes video, and tour dates.

http://www.myspace.com/SinceOctober

- Ken W.

Addison Road – Stories

Addison Road

Addison Road

Stories

INO

Grade-A

Two years have passed since Addison Road’s self-titled debut album was released. The band is back, bringing the usual fresh, upbeat sound fans have grown to love. “Stories” is one of those albums that will have people singing along, and more importantly finding hope. The album’s 10 “stories” are each pulled from the band member’s personal experiences, and each one has something unique and powerful to offer.

The opening track, “Fight Another Day”, is actually not a song the band wrote, but was written by fellow singer/songwriter TobyMac. The band, after turning the song down time and again, finally decided to use it. Eight months later, just before playing a show, the band lost everything in a fire. The lyrics “And do you feel the fire when the flame gets hot? Are you living every day like it’s the last you’ve got? Will you step aside when it all falls down and watch it burn away?” helped the band persevere in ways they could not imagine.

A recurring theme of redemption throughout the album comes from the second track, “A Change in the Making.” The song reminds listeners that we’re not who we’re going to be. We’re all in a stage of spiritual metamorphosis, and the song reminds listeners that God’s not through with us yet. The song’s positive chorus reminds us that we’re all here for a reason.

The band’s interpretation of “This Little Light of Mine” is a beautifully emotional track, encouraging listeners to be salt and light in this world.

“Won’t Let Me Go” is yet another song of hope, drawing from the band’s year of heartache. Throughout a year of tragedy and heartache, God has never let them go.

“My Song” closes the album perfectly, realizing that “We are His story. We are His song. A beautiful melody that shows the world His love.” The song, written in the last days of recording, continues to proclaim the message of redemption and hope.

“Stories” is sure to bring Addison Road into the spotlight. With several radio-friendly songs, it’s sure to have people singing along and even performing some of them in church services. With a release that’s sure to be a big hit among CCM listeners, the band is sure to be rewarded for their perseverance and faithfulness to their Heavenly father.

Tom F.

Revive – Blink

Revive

Revive

Blink

Essential Records

Grade-A

Revive’s new album, “Blink” is a creative, fresh release that’s sure to be a hit with listeners this summer. The Australian quartet continues to inspire with “Blink”. The band took the time to share a little history about each song on the album. After hearing the backstories and inspiration for the songs, the whole experience became more personal. You can tell they had fun making the album, while truly enjoying the lessons learned and experiences they encountered while recording.

“Almost Missed This Moment”, the opening track starts off with an upbeat feel, showcasing Dave (the lead singer’s) powerful vocals.

“Blink” the title song, reminds listeners to live each minute to the fullest. The song warns that life is short and only comes around once. Life can only be truly lived when we are walking with God-trusting Him with every area of our lives.

“Don’t Give Up The Fight” a song written expressly for teenagers, was designed to encourage them in the daily battles they face. Revive reminds listeners that Jesus was tempted in every way, and encourages teens to “not give up”.

Revive is a band that shows true devotion. They left their families, friends, and lives back in Australia for the chance to make their mark in the Christian music industry. Through the changes they’ve faced, they’ve never lost sight of the reason they sing. With personal, encouraging lyrics, “Blink” is the start of something big. I’m excited to see the places this band will go.

Tom F.

Heath McNease

Heath McNease

Heath McNease

“The Gun Show”

18 tracks, 73 minutes

Grade – A

Since his 2007 debut, Heath McNease has been written off as simply ‘another Christian rapper’ however, with his sophomore release “The Gun Show” he’s back to prove himself.

The album starts off with “Chalk Outline”, an upbeat song that pokes fun at being an opener for a larger act on tour.  Behind the tight rhymes on the chorus are musical vocals similar to the background of fellow rapper (and guest artist on the album) Pigeon John.  It transitions into the title track “The Gun Show”, another humorous song which features rapper Playdough, this time dialoguing about their muscular physique (or more appropriately lack thereof).  From there things take a different turn with the more serious song “Everything Goes” which carries Heath’s trademark cross between hip-hop and acoustic.  A later breakup song, “Thank You” also carries the sound, which might seem oddly placed on the album, especially noting that McNease also released an acoustic album the same day.  The rest of the tracks on the album continue much as the first two, with themes ranging from losing a job to hosting make-believe light saber duels in the backyard.  That’s not to say the album is without it’s thought provoking moments, however.  ”Space Cowboy” is a cryptic, fast-paced track about self-disappointment and marveling at God’s unconditional love for us despite our shortcomings.  ”Pity Party” is a heavier track about the thoughts preceding and effects following a suicide.  The album ends on a strong note with the song “Makeshift Doxology” which uses a piano as the background and a scratched record of Bible verses as the chorus.  It’s a serious story-song about a fictional character who despite addictions and poor choices begs God to meet him where he is.

The album overall has a very cohesive sound, but each song had it’s own unique edge to it.  What surprised me, however, is the similarity to other artists of the genre.  There are times when the inluence of rappers such as KJ-52, Pigeon John, and at times even Manafest show through; however, McNease is talented at combining close rhymes with offbeat rhythms to create a sound all his own.  After being written off as an unmemorable artist the first time around, Heath McNease was determined to make a name for himself with his second release – and that’s exactly what he did.

Elise

Heath McNease

“Shine On”

10 tracks, 35 minutes

Grade – B

Releasing the same day as ‘The Gun Show’ Heath McNease’s first all-acoustic album ‘Shine On’ proves that not only is he talented as a rapper, but he is also skilled with simply a guitar.

From the first track, it’s apparent that this is more than just a side project.  The songs carry the same quality and sound of mainstream artist Jack Johnson while providing an (albeit not blatantly Christian) optomisitic and positive message.  ”I Will Live” is a song that appears on both ‘Shine On’ and ‘The Gun Show’ in different versions; the ‘Shine On’ version features a softer guitar and no rhythm behind slightly slower lyrics.  ”Til The Fever Breaks” has the most vertical message on the album, with Alisa Turner providing guest vocals as the chorus pleads “If I beg and plead for You to never leave, would You stay til the fever breaks?”  Some of the songs on the album are more experimental in their sound and remain a bit unmemorable, though several other highlights are “Jacob’s Song” which asks for a return to innocence after having seen too much, “Paved” which is a hopeful look towards seeing a loved one again someday after they pass away, and “It’s Alright”, a lullaby which closes the album with quiet strums and a string background.

It’s a risky move to release two different-style albums on the same day, though McNease hopes the diversity will bring the two kinds of fans together.  ”Rap fans can relate to acoustic as a song stripped down to the essentials and I think acoustic fans will find hip-hop just as melodic, just more specific lyrically.”  Although McNease has more practice with hip-hop, for a first acoustic release, it has a strong sound and potential for a bright future in the genre.

Elise

Trip Lee – Between Two Worlds

Trip Lee

Between Two Worlds

Grade: A

Trip Lee’s third album Between Two Worlds is another hit.

Some of the highlights of this album are the Southern influenced beats, Gospel saturated lyrics, and a Christ centered message.  It is also worth noting how Trip Lee incorporates the piano, trumpets, and violins into some of his music.

The album title reflects where Trip Lee finds himself: between this fallen world and heaven.  The album itself is a reflection on life: celebrate the good moments, be real about difficult situations, and look forward to the solution. His overall goal is to help people see this life in a broken world from God’s perspective.

An interesting fact about Trip Lee is that he hopes to pastor a church someday.  Since he is such a talented artist, hopefully he continues producing music even if he becomes a pastor.

Jason R.

City of Life – Worship

City of Life

“Worship”

in:ciite

13 tracks @ 67:03

Grade = A

Jeff Smith is the senior pastor and worship leader at City of Life Church in Florida. According to their PR, this collection of new songs from this church is meant to stir the hearts of worshipers to burn with a passion for the Lord and awaken the fire of fervent devotion in the House of the Lord.

The disk opens with the rousing, trumpet infused “Fire.”  I also enjoyed the dance oriented “Favor of Heaven,” which reminded me of Kool and the Gang while “We Cry” harkened back to Blood Sweat and Tears.

The record, which has excellent fidelity for a live recording, ends strong with the uplifting “This is Your House.”

Highly recommended.

-Rob S.

www.cityoflifeworship.com